Natural Touch Baby Blue Lenses

How To: Photograph Patterns in Nature

There is almost no end to possible pattern subjects in nature: a patch of wildflowers, textured or weathered wood, the details of a bird’s feathers, bubbles in ice, or shapes carved in a beach by a retreating tide. They can be found in the smallest of subjects or in the grandest sweep of the landscape. And patterns don’t exist only as static elements. Dynamic elements—such as passing clouds, or a flock of birds, or flowing water—can converge or interact in compelling patterns. Shape repetition is an easy concept to understand—think of a grove of trees in a spring forest. Or it could be a series of stacked mountain ridges, such as the telephoto shot of the Blue Ridge seen at top right. Patterns can be parallel, as in a grove of trees, and can exhibit a certain symmetry. Diverging patterns, on the other hand, involve one or more shapes that diverge from the rest—imagine a grove of trees aligning vertically, except for one tree that is tilted at a diagonal angle. This diverging shape then becomes an immediate focal point. Random patterns—such as lichen splotches on a rock—are more chaotic, and the trickiest to work with. But to a patient eye, subtle patterns can emerge from the randomness. Look to juxtapose complementary or contrasting colors, or to place a few repeating shapes prominently in the image frame. The spacing of elements is sometimes less intuitive. As a rule, avoid having repeating elements merge or otherwise touch each other. Regular spacing of elements, however, is typically not the best approach. Instead, look for uneven spacing and grouping of elements—a group of four closely spaced trees on one side of the image, counterpointed by one lone tree on the other side. Bunching or merging repeating shapes, though, can sometimes help one element flow into the next, leading the eye throughout the scene.  When working with pattern images, depth-of-field is often an issue, as you may be working at a sharp angle from the plane of focus of your subject. Use small apertures (such as f/16, f/22, or smaller) as necessary to ensure sharp focus throughout the image frame. Also, use live view and your depth-of-field preview to help achieve critical focus and optimal aperture. A sturdy tripod is often necessary to ensure sharpness.

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